An early modern title page
The 1476 Kalendario is often described as the first decorative modern title page. Its title, author, place, date and printers appear in red and black inside a woodcut border of flowers and foliage.
A Venetian roman reawakened
In 1476 Erhard Ratdolt of Augsburg opened a press in Venice with the painter Bernhard Maler and the corrector Peter Löslein. Their first book, the Kalendario of the astronomer Regiomontanus, opened with one of the earliest modern title pages: the title, author, place, year and printers appeared in red and black inside a decorative woodcut border.
The roman type inside that book is the one revived here. Scholars file it as Type 109R (twenty lines measure 109 millimetres). Cut only six years after Nicolas Jenson's celebrated roman, it refused Jenson's calm perfection and kept its manuscript accent: dark in colour, angled in stress, full of letterforms that never became standard. Zyrian Obelisk returns to that moment before roman type became polite: dark and upright as its name promises, the strokes of the pen still standing in the metal.
Born in Augsburg into a family of craftsmen.
Opens the Venice press; the Kalendario carries one of the earliest modern title pages.
Publishes the first printed edition of Euclid's Elements, with more than 400 geometric diagrams.
Prints the first book known to include an illustration in three colours: a lunar eclipse.
Issues the earliest known printer's type-specimen broadside while preparing his return to Augsburg.
Dies in Augsburg before 23 January, after a career of more than 200 editions.
02 / Trivia
The 1476 Kalendario is often described as the first decorative modern title page. Its title, author, place, date and printers appear in red and black inside a woodcut border of flowers and foliage.
Printed on 25 May 1482, Ratdolt's Elements was the work's first printed edition, with more than 400 diagrams set precisely into the margins.
Seven copies are known with the dedicatory epistle to Doge Giovanni Mocenigo printed in gold leaf.
His 1485 edition of Sacrobosco's Sphaera mundi is the first book known to include an illustration printed in three colours: a woodcut of a lunar eclipse.
On 1 April 1486, while preparing his return to Augsburg, Ratdolt issued the earliest known printer's type-specimen broadside: ten rotundas, three romans and one Greek. This page is its distant descendant.
One copy. A single copy of the 1486 specimen sheet survives, kept at the Bavarian State Library in Munich.
109R. Early types are named by measurement, not by designer: twenty lines of Ratdolt's roman span 109 mm.
A painter's press. Partner Bernhard Maler ("Bernhard the Painter") likely drew the borders and initials that made the books famous.
03 / Letterforms
The narrow SIn this revival, a lowercase form is promoted to a narrow capital, compressed and alert.
The long-tailed QThe tail sweeps far past the bowl, underlining whatever letter dares to follow, a flourish straight from the scribe's hand.
The curled yIn this revival, the tail sweeps down and curls back into a little ball: theatrical and generous.
The rough OIn this revival, the slightly uneven contour evokes the way metal type bites into damp paper.
Humanist
shadows
in metal.
↳ Ratdolt's text settles into a dense, even colour, part manuscript and part machine. Zyrian Obelisk keeps that weight at display sizes.
05 / Specimen
Venetian shadows
Printed in red & black
Quiet grace of the humanist hand
Twenty lines of type measure 109 millimetres
Cut in Venice in 1476, six years after Jenson, and gladly unrepentant
06 / In use
Port Royal · MMXXVI
A night of mutiny, music, and ill-gotten fortune.
Liber Primus · Definitiones
A modern English specimen inspired by the Venice edition of 1482
A point is that which hath no part, and a line is a length without breadth. The extremities of a line are points; a straight line lieth evenly between its extremities, as the diagram in the margin sheweth.
“Venice did not invent the book; it taught the book to sell itself.”
Specimen text
Ombra
Amarone della Valpolicella
12 Sept to 18 Jan · Sala del Torchio
Anna & Teodoro request the pleasure of your company
on the fourth of June at the Scuola Grande
08 / Character set
License & download
One weight, one honest price. Instant download on Gumroad, licensed for personal and commercial work across print, logos, and the web.
Free updates to future versions of the Regular, forever.
09 / Font details
Zyrian Obelisk is a historical display serif and digital type revival. Its source is Erhard Ratdolt's dark, calligraphic Venetian roman first printed in 1476 and catalogued by scholars as Type 109R.
Its strong colour and unusual letterforms suit book covers, editorial headlines, posters, packaging, invitations, record sleeves, mastheads, logos, and visual identities.
The Regular includes 327 Latin Extended glyphs and is supplied as TTF for desktop use plus WOFF and WOFF2 for self-hosted web typography.
Yes. The license permits personal and commercial work across print, branding, logos, and the web. A client who needs the working font files or hosts the webfonts needs a separate license.